why wasn't there a lot of publicity for alfred hitchcock's film shadow of a doubt?

Danvers (Rebecca), Brandon and Phillip (Rope), Bruno (Strangers on a Train) and Norman Bates (Psycho). The characters under revision will be Mrs.

This essay will explain how they appeared in films and it will use the types above mentioned to help characterize some of the most intriguing and sometimes sexually ambiguous characters in the films listed earlier, while maintaining why these depictions were reductive and essentially harmful. In cinema, there were predominantly three types of gay characters, which of course, created controversy: “the sissy”, “the cold-blooded villain” and “the tragic queer”.

Not only will this paper relay how homosexual characters were portrayed in films, but also what was their impact in society and how they went unnoticed by the Production Code. After viewing these motion pictures, one quickly realizes a common theme or type among them. It seems like Hitchcock hated selling his moniker 'The Master of Suspense' in order to advertise Spielbergs material. Using the 1996 documentary Celluloid Closet as a base for this argument, this paper will inform the reader of some notions considering the unusual, but ultimately stereotypical portrayal of allegedly homosexual characters in films, and specifically in the earlier listed. The films under this study will be Rebecca (1940), Rope (1948), Strangers on a Train (1951) and Psycho (1960). This essay proposes a close examination of four of Hitchcock’s films and the surreptitious portrayal of homosexual characters in them.

Why wasn't there a lot of publicity for alfred hitchcock's film shadow of a doubt?